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Meanwhile developing a stronger brushstroke and using more vivid colours, the artist moves to a diversity of themes like mythological, biblical and political figures.
Later on into the later 80's and early 90's the artist became obsessed by the Italian light due to repeating yearly excursions with students to Florence and Venice like in: "Porta Negra" and "To and from the light". Then, after having seen the Italia Renaissance portraits, a series of critical observed heads emerge "Caligula" and "Philip 2nd of Spain". In the later 90's the angels appear. The angel wings giving more dynamic possibilities to the compositions and give the paintings a explosive sensations and becoming more erotically flavoured... (next page)
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